Less noticeable than who steers the narrative – a first person narrator, say, or an omniscient third person narrator – is the point in time from which a story is told. Have years passed and is the storyteller, older and wiser, revisiting her youth, as in Lee Harper’s To Kill a Mockingbird, or is the story unfolding in present time with no hindsight to call upon – except for portions told in flashback? Something to ponder as we go about crafting our stories.
Meanwhile I’d like to invite everyone in the Toronto area to Draft 12.1 on Sunday October 23rd, 3 pm, at the Flying Pony, an artist-run gallery at 1481 Gerrard Street East, west of Coxwell. The event will include readings by:
This will be my second reading at Draft. Thank you, Draft collective! My first was on October 31st, 2010 – Halloween – and the theme was Death! Back then my novel was entitled Intersection rather than The Fifth Season, and the excerpt I read here and here were narrated from a different point in time. The set-up is explained in the first video but what counts here is that my male protagonist, Adam, was in North America and had recently met female protagonist, Joanne, before he flash-backed to an earlier love interest and a dramatic event connected to it.
In the current version of the story, Adam is back in his home country, South Korea. The flashback occurs a whole year later and is motivated by trying to grapple with the novel’s central dilemma more than Adam’s poor track record with relationships.
In any event, I’m not planning to read the re-imagined version of this scene but, rather, the opening chapter of The Fifth Season narrated by Joanne. The temporal point-of-view should be be obvious in the first minute or two. If you come, let’s talk about it at the break!